In production, ideas of futurism and interplanetary exploration enthralled him. Eclectic, he mixed electro, industrial, hip-hop, house, and more, eventually needing three tables, not two, to be satisfied. I have a little bit of my daddy's family's eyes, and you're not probably gonna know if I'm not serious until I either crack a smile or laugh." – Doug FreemanĪ legend of Eighties Detroit, Jeff Mills became "The Wizard" with his exuberant, lighting-speed turntable technique. "I come from a very long line of Southern storytellers. "I've been making my friends uncomfortable at parties for years," she laughs. That tension roars in freight train riffs as much as intimate confessionals, also laced with a wickedly wry humor that emerges onstage. Grounded in a defiant working-class Appalachia with tracks like "Work Until I Die" or "The Way I Talk," she pulls equally on the deeply personal, complicated aspects of identifying as queer and progressive in rural America. Yet Goodman's also quick to point out the eclectic Kentucky influences – from bell hooks to Bonnie "Prince" Billy to Slint – that impact her writing. "I can become somewhat of an insider to that world, but they can't come and be an insider to mine." If you want to try to make music on a larger level, then you need to realize that your peers are actually in L.A. "Someone once said to me, 'You can't look at the person playing next to you at a house show in your small town as your only peer. "There's a million different ways to do this music stuff, but I feel something pure about having experience coming up as a musician in a very small town," Goodman offers in her hard Kentucky twang. Still living in the small town of Murray, even as her profile has risen behind last year's standout sophomore LP, Teeth Marks, the songwriter appreciates the perspective her rural background provides. Goodman holds tight to her Kentucky roots.
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